With the Throwing Stones EP he takes the same approach as he did with the previous Warpaint EP by going for two different vibes on either side of the record.
On the A side we have 'Throwing Stones'; a peak time club tune perfect for dark spaces and strobe lights. With giant rolling sub bass, a heavy kick, crisp hi-hats and crunchy hand claps the groove slowly grows into a big break with atmospheric chimes and vocal snippets. Soon you are lost in an ethereal break, but suddenly snapped back into reality as the bass changes and a single looping synth takes center stage creating a driving yet euphoric peak time floor filler.
With the flip side, Clint goes for a warmer, uplifting tone with 'Come Undone'. Starting with finger snaps and a growing arpeggio, the vibe slowly builds as big toms and dreamy atmospherics introduce a massive sub bass line. As a shaker creeps up and another synth blends with the original arpeggio the beat finally drops.
A solid four to the floor groove ensues and culminates into a wash of delayed chimes as the breakdown introduces the lead; an unforgettable brass line that is sure to have all the hands in the air at a sunny open air or a morning at the club.
Expansive four-track EP from the electronic-leaning solo project of Lee Malcolm, a founding member of experimental band Vessels. Bandcamp New & Notable Apr 4, 2024
Meticulously designed but not without emotional pull, Jacob Ohrberg's subtle electronic music sounds like a dream of a distant dancefloor. Bandcamp New & Notable Aug 1, 2023